In honor of the MFA students graduating from our program at UNCW this semester, and because we think National Poetry Month should be every month of the year, we found four graduating poets and one professor to share the poetry collections sitting on their bedside tables. What we discovered is a delightful array of poetic bounty that is sure to help inspire through the long days of summer–or life in the “real” world.
photofrom left: Pernille Smith Larson, Jacob Bateman, Christina Clark
I’m reading Ron Rash’s New and Selected Poems alongside The World Made Straight. I’ve become obsessed with his North Carolina/ Appalachian lexicon and how his masterful prose lines sometimes read like poetry. I’m beginning to see that he operates much like Carver in that some of his narrative poems reincarnate in his novels, and I’m always a sucker for genre-stealing/genre-complicating. Up next is Above the Waterfall, which I hear is even more lyrical. At this rate, I wouldn’t be surprised if I read him outright by summer’s end.
—Elizabeth Davis, MFA candidate in poetry
I’m currently reading Chloe Honum’s poetry collection The Tulip-Flame. Initially, I picked the book up because it was chosen by one of my favorite poets, Tracy K. Smith, for a first book award. The Tulip-Flame includes different narrative strands with thematic connections: a mother’s suicide, a failed romantic relationship, the art and practice of ballet, and the growth, decay, and resurgence of a garden. These poems are stark, short, and gorgeous. They are both emotionally restrained and deeply moving. Not too long ago, I heard a writer tell an audience that writers should read outside of their comfort zone, by which s/he meant reading the kind of poems, stories, novels, etc., that you do not write yourself. I’m reading outside of my comfort zone by reading The Tulip-Flame, and it’s an inspiring and pleasurable experience.
—Pernille Smith Larson, MFA candidate in poetry
Walking to Martha’s Vineyard, by Franz Wright, was one of those books I’d been told to read about a half dozen times, but had never gotten around to. The poems are brief and clear. You can read them very quickly—they have that kind of accessibility, which generates interest in what comes next. Moving back through them it became clear that they work just as well if you take each poem slowly and seriously. I remember a professor once saying, of some poem we’d read, that it was unimposing in its artfulness. I thought of that often reading this book. I think it’s the kind of work most poets would really love to be able to generate.
—Jacob Bateman, MFA candidate in poetry
I first heard about Anne Sexton’s Transformations via Pernille Smith Larson, one of my MFA classmates. I had been working on a fairy tale series, and the collection was mentioned as a good potential reference for inspiration. Transformations is striking in that it haunts and at the same time manages humor. It retells old Grimm fairy tales while also redefining and refining them into modern poetry. Sexton accomplishes this in part through her use of more modern diction and imagery. Prior to reading this, I had also read a handful of Sexton’s most famous poems, “The Starry Night” and “Her Kind” come to mind, as well as her award winning collection Live or Die. Transformations lived up to and has exceeded my expectations as a collection. It manages to breathe new life and adult themes into stories that have been around for centuries–stories that we’ve known in some version since we were children. I would really recommend this book to anyone interested in fairy tale lore or anyone who is a fan of Sexton’s other works. Especially if you are inclined—as I am—toward weaving fairy tale imagery and concepts or themes into your work.
—Christina Clark, MFA candidate in poetry
I have two very different books next to my reading chair. One is just out from Emily Carr, a former student and UNCW alum: Whosoever Has Let A Minotaur Enter Them, Or A Sonnet— from McSweeney’s Poetry Series. It is bold, fresh, fractured and surprising, trying to approach emotion through language in new ways. The other is Tugs in the Fog, selected poems by Joan Margarit, the Catalan poet. Margarit has written some beautiful, direct poems about ageing, grief, and memory. I find myself moved by both books, in different ways.
—Mark Cox, MFA faculty in poetry