Content Tagged ‘ecotonejournal’

Friday Lit News Roundup

With our sister magazine, Ecotone, we value a strong sense of place. In Wilmington, NC, where our imprint and magazine are based, it’s our good fortune to relish sights like this one nearly every day.


Now, for this week’s news—

We highly recommend that you make time this weekend to read Ben Fountain’s piece for the New Republic, highlighting the heartbreaking failure of Haiti’s recovery four years after the earthquake. “The day after my arrival, I was walking down a dusty, noisy street near the center of town and passed a rough-hewn cinderblock church, a cavernous space with crude turrets at the corners and iron bars across the windows. Inside, a choir composed of what must have been visiting angels was singing a Bach cantata, the angels hidden behind the walls and bars of the church but their song floating into the street like a break in the battle, a cool cloth laid over a fevered brow. And that’s how Haiti breaks your heart, with these hits of grace and beauty constantly sailing out of the wreckage.”

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Introducing “Only Connect” by Daniel Orozco


The title of Daniel Orozco’s “Only Connect” serves as an instruction, or even a mantra, for the reader. The story reminds me of a relay race: Bennett, a whiny psychopharmacology researcher, holds the baton until he is mugged and killed by two men on a mission to make enough cash for their next drug buy. Then Costas—the older of the men—shares the baton with his business partner and lover, a young man known only as “the kid,” who holds Costas completely in his thrall. We travel with Costas and the kid until they connect with Hailey, a lonely woman on an ice cream run turned witness to crime. Whether she wants to or not, Hailey must carry the baton to the end of the story.

It would be so easy for each of these characters, especially in a story of only ten pages, to be reduced to archetype—Victim, Criminal, Bystander—and easier still for Orozco to round out one character at the expense of the others. But “Only Connect” is not simply the story of Bennett being in the wrong place at the wrong time, nor is it the story of Costas’s willingness to indulge the kid’s whims to the point of killing a man, nor is it a story about how Hailey’s ability to stay anonymous at a crime scene seems almost disappointing, seems only to exacerbate her profound loneliness.

Rather, it is a story about the collision of each of these circumstances, and about how impossible it is for any of us to fit neatly into a role. Bennett’s impending victimhood doesn’t prevent him from being a bad sport about his failed connection with a woman at the party he’s just left. How could it? Until he knows he’s being mugged, until he knows he might die, romantic disappointment is his biggest problem. Similarly, the pressure of the impending drug buy doesn’t prevent Costas and the kid from appreciating the pleasures of Led Zeppelin and rib-eye steaks and martinis and sex. They are human, after all. Hailey thinks that her life has changed forever when she witnesses Bennett’s death; while the incident does mold her consciousness in some ways, the clarity of the memory mostly fades. (“Everything fades. Everything goes,” says Orozco’s narrator.)

Still, Hailey transcends the role of bystander late in life, after decades of disappointment, when Orozco writes for her an unexpected connection with a client. Orozco’s decision to grant Hailey happiness is one of the most beautiful, merciful moments I’ve ever witnessed in fiction. That moment doesn’t bring Bennett back to life (not that I miss him much); even when Hailey flashes back to the night of the death, it isn’t him that she remembers. It doesn’t reveal whether or not Costas and the kid “last through Christmas,” or even live much longer themselves. It doesn’t even prove whether or not Hailey’s act of witness is a fateful one, if the night of the mugging really does change the course of Hailey’s life. What it does accomplish is something bigger: an echo back to “only connect,” a reminder that supporting roles are only a matter of perspective.

Katie Jones

Lookout intern

Read “Only Connect” in Astoria to Zion: Twenty-Six Stories of Risk and Abandon.