Content Tagged ‘Ron Rash’

In honor of the MFA students graduating from our program at UNCW this semester, and because we think National Poetry Month should be every month of the year, we found four graduating poets and one professor to share the poetry collections sitting on their bedside tables. What we discovered is a delightful array of poetic bounty that is sure to help inspire through the long days of summer–or life in the “real” world.

photofrom left: Pernille Smith Larson, Jacob Bateman, Christina Clark

I’m reading Ron Rash’s New and Selected Poems alongside The World Made Straight. I’ve become obsessed with his North Carolina/ Appalachian lexicon and how his masterful prose lines sometimes read like poetry. I’m beginning to see that he operates much like Carver in that some of his narrative poems reincarnate in his novels, and I’m always a sucker for genre-stealing/genre-complicating. Up next is Above the Waterfall, which I hear is even more lyrical. At this rate, I wouldn’t be surprised if I read him outright by summer’s end.

—Elizabeth Davis, MFA candidate in poetry

I’m currently reading Chloe Honum’s poetry collection The Tulip-Flame. Initially, I picked the book up because it was chosen by one of my favorite poets, Tracy K. Smith, for a first book award. The Tulip-Flame includes different narrative strands with thematic connections: a mother’s suicide, a failed romantic relationship, the art and practice of ballet, and the growth, decay, and resurgence of a garden. These poems are stark, short, and gorgeous. They are both emotionally restrained and deeply moving. Not too long ago, I heard a writer tell an audience that writers should read outside of their comfort zone, by which s/he meant reading the kind of poems, stories, novels, etc., that you do not write yourself. I’m reading outside of my comfort zone by reading The Tulip-Flame, and it’s an inspiring and pleasurable experience.

—Pernille Smith Larson, MFA candidate in poetry

Walking to Martha’s Vineyard, by Franz Wright, was one of those books I’d been told to read about a half dozen times, but had never gotten around to. The poems are brief and clear. You can read them very quickly—they have that kind of accessibility, which generates interest in what comes next. Moving back through them it became clear that they work just as well if you take each poem slowly and seriously. I remember a professor once saying, of some poem we’d read, that it was unimposing in its artfulness. I thought of that often reading this book. I think it’s the kind of work most poets would really love to be able to generate.

—Jacob Bateman, MFA candidate in poetry

I first heard about Anne Sexton’s Transformations via Pernille Smith Larson, one of my MFA classmates. I had been working on a fairy tale series, and the collection was mentioned as a good potential reference for inspiration. Transformations is striking in that it haunts and at the same time manages humor. It retells old Grimm fairy tales while also redefining and refining them into modern poetry. Sexton accomplishes this in part through her use of more modern diction and imagery. Prior to reading this, I had also read a handful of Sexton’s most famous poems, “The Starry Night” and “Her Kind” come to mind, as well as her award winning collection Live or Die. Transformations lived up to and has exceeded my expectations as a collection. It manages to breathe new life and adult themes into stories that have been around for centuries–stories that we’ve known in some version since we were children. I would really recommend this book to anyone interested in fairy tale lore or anyone who is a fan of Sexton’s other works. Especially if you are inclined—as I am—toward weaving fairy tale imagery and concepts or themes into your work.

—Christina Clark, MFA candidate in poetry

I have two very different books next to my reading chair. One is just out from Emily Carr, a former student and UNCW alum: Whosoever Has Let A Minotaur Enter Them, Or A Sonnet— from McSweeney’s Poetry Series. It is bold, fresh, fractured and surprising, trying to approach emotion through language in new ways. The other is Tugs in the Fog, selected poems by Joan Margarit, the Catalan poet. Margarit has written some beautiful, direct poems about ageing, grief, and memory. I find myself moved by both books, in different ways.

—Mark Cox, MFA faculty in poetry

We’re taking the long view in this week’s Roundup, folks. We hope you’re in for the long haul, because–long story short–we’re going to take a long, hard look at some good news. This post will be filled with long-ing.

Up first? Some long lists! We’re thrilled for Lookout author Matthew Neill Null, whose debut novel, Honey from the Lion, made the long list for the Pat Conroy Southern Book Prize in the “Prince of Tides Literary Prize” category, where he is joined by Ecotone contributors Ron Rash and Karen E. Bender. The Southern Independent Booksellers Alliance renamed their book awards this year after Mr. Conroy. Wanda Jewell, SIBA’s Executive Director, said, “We have long wanted a sexier more marketable name for our book awards, and nothing is sexier than Mr. Conroy!” We’re resurrecting a photo of Matt with Mr. Conroy himself–signing over a copy of Honey.

The 2016 Sunday Times EFG Short Story Award long list has also been announced–with a prize of £30,000, it’s the world’s richest prize for a single short story. Lookout author Edith Pearlman made the list for her story “Unbeschert,” and Ecotone and Astoria to Zion contributor Maggie Shipstead did as well, for her story “Backcountry.” They are joined by ten other writers from six different countries.

Ecotone received a nice write-up from Wilmington’s own Star News this week thanks to our inclusion in BuzzFeed’s long list of literary journals that will help you read better. We mentioned that in our last Roundup, but we plan on having a long memory about it.

Indiana Review has a great interview with Ecotone contributor Matthew Gavin Frank who spent fifteen long years inadvertently research his book, The Mad Feast. “I’ve had a lot of strange food-related jobs—ice cream truck driver in Chicago, edible grasshopper trapper in Oaxaca, Mexico, wine cantina floor-mopper in Barolo, Italy.” Matt will have you longing for a copy, and for any word on his new book on pigeons and their role in global diamond smuggling, which he describes as “something like Blood Diamonds bumping-and-grinding with the Audubon Field Guides.”

And last but not least, we hear Ecotone contributor G.C. Waldrep has long-poem-turned-book coming out from BOA Editions called Testament. In defiance of our theme, the reviewer over at the Ploughshares blog says,  “The most concise reference point that occurs to me… is that Waldrep is the closest American poetry comes to Geoffrey Hill, in the music of his language, the range of his erudition, the integrity of his intellect, and the honesty of his doubt.”

That’s the long and short of it this week. Thanks for reading, and we hope to see you next time. In the meantime, so long!

UNCW is back in session, and so is our weekly Lit News Roundup. We hope that our readers had a wonderful and restful holiday season.

We highly recommend reading this thoughtful and inspiring Slate article by Daniel Menaker, who writes, “The profession, in whatever form, will continue to produce physical and now electronic objects that move not only units but people. Move them and enlighten them emotionally, move them to action, move them to share what they learn and care about with others.”

© Laura van den Berg

In case you missed the cover of the Sunday Book Review on January 4, it featured a stunning review by Laura van den Berg of Honeydew (Little, Brown), the new collection by Lookout’s debut author, Edith Pearlman (Binocular Vision). A profile of Mrs. Pearlman, written by another Lookout author, Steve Almond, also appeared in the Times and chronicles her writing and publishing background, leading to her “commercial breakthrough at seventy-eight, after five decades of writing short stories, some 200 of them, nearly all appearing in small literary magazines.” The profile includes a quote by Lookout co-founder and former editor Ben George.

It’s the final week of classes here at UNCW, and we’re beyond grateful to the student staffers who are the heart of our enterprise. This semester, they’ve dedicated their energy and talents to threading a book interior, researching and pitching covers, hand-lettering titles, fact-checking, proofreading, writing media materials, and planning the marketing and publicity strategy for next year’s release. Thanks to Abby Chiaramonte, Liz Granger, Justin Klose, Katie Prince, Bethany Tap, and especially Becky Eades, who has managed our social media platforms, including this blog, with diligence and care over the past few years. You all will be missed, and we wish you every success in your future writing and publishing endeavors. (Good luck finishing up your portfolios and exams too!)

As 2014 draws to a close and we hit the bookstores for holiday shopping, we thought we’d round up a few best-of lists that caught our eye:

Time released lists of the Top Ten Everything in 2014, including the Top Ten Fiction Books and the Top Ten Nonfiction Books.

Was 2014 the year of the debut? Electric Literature thinks so, but we recommend keeping an eye out for Lookout’s debut novel, Honey from the Lion, in 2015.

We’re always eager to see which titles make the “100 Notable Books of 2014” from the New York Times.

Slate issued the “22 Best Lines of 2014,” featuring Astoria to Zion and Ecotone contributor Rebecca Makkai. Head over to read her sentence and twenty-one others from some of the year’s “most enjoyable books.”

Speaking of sentences, Salon published a terrific collection of ”Two-sentence Thanksgiving Fiction,“ featuring authors Brock Clarke and Rebecca Makkai.

It’s hard to believe that just two weeks ago we were celebrating Writers’ Week and helping our sister magazine, Ecotone, launch the fall Sustenance issue with a farm-to-table supper in partnership with Feast Down East. The delicious meal was served under a full moon and glowing lights in the Kenan Hall courtyard. Thanks again to contributors Alison Hawthorne Deming and Randall Kenan, as well as Leslie Hossfeld and Stefan Hartmann of Black River Organic Farm, for speaking. If you missed it, you can enjoy a taste of the evening in this album, courtesy of UNCW’s Will Page.

The new Sustenance issue of Ecotone is now on newsstands and available via the website, but don’t forget to pick a copy of the Spring/Summer 2014 issue, featuring a story by Lookout’s next author, Matthew Neill Null, while you’re at it.

design by Lookout intern Becky Eades