Content Tagged ‘Miha Mazzini’

On Location with Miha Mazzini

Miha Mazzini, whose story “That Winter“ originally appeared in Ecotone and is now featured in Astoria to Zion, sent us this fascinating brain comparison. Read on to find out why writing is so addictive.


This is the place I usually live: (PICTURE A)

Sometimes, after a long procrastination, in quiet surroundings, when I’m alone, I start writing and the place changes: (PICTURE B)

I had a chance to scan my brain while doing research for my nonfiction book about writers and creativity, Born for Stories. The general rule for interpreting the scans: the brighter the color, the greater the flow of blood.

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Friday Author Roundup

Happy Valentine’s Day! While most of us are romantics at heart, we’d just like to point out that we don’t need a special day show love for Lookout authors and Ecotone contributors. Fridays are dedicated author roundups but know this: we love you every day.

A few author happenings you might find interesting:

Lookout author Steve Almond explains the goodness of bad writing in his latest post for The Writer’s Notebook, AWP’s blog.

Astoria to Zion contributor Miha Mazzini’s Crumbs, the best-ever selling novel in Yugoslavia, is being republished. The Skinny speaks with him here about “navigating self-determination” and claims that this new publication “could prove more timely than ever.”

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First Paragraph from “That Winter” by Miha Mazzini

“The prisoners released before me had flown home from The Hague in airplanes sent for them by their states. I was the first one who wasn’t a national hero. The guard just handed me a train ticket to Sarajevo and some pocket money for travel expenses. I greeted him with ‘Tot ziens’ and he answered with "Tot nooit, hopelijk!’—an unsubtle indication he didn’t want to see me again.”

—Miha Mazzini

Excerpted from “That Winter” from Astoria to Zion: Twenty-Six Stories of Risk and Abandon from Ecotone’s First Decade. Copyright © 2014 by University of North Carolina Wilmington. Used by permission of Lookout Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.