Content Tagged ‘Kevin Wilson’

During a time when there’s lots of talk about borders and walls and travel bans, we’re trying to remind ourselves of the power of great writing to break down walls, to help us really see one another. This week we’re celebrating both powerful new work from Ecotone and Lookout contributors, and the happy recognition of writing from the past year.

Lookout author Clare Beams is a finalist for the PEN/Robert W. Bingham Prize for Debut Fiction, and Ecotone contributors Belle Boggs, Eva Saulitis, and Patrick Phillips have all made PEN finalist lists too! (The Bingham Prize has a surprising tie to our hometown, Wilmington, NC, funny enought. See the full scoop from the Star News.) To top it off, Clare’s book found itself on the long list of titles recognized by The Story Prize, which received 106 books published by 72 publishers or imprints as entries this year. The list—beyond the three finalists and The Story Prize Spotlight Award winner—honors sixteen books that stood out for the judges.

Sure, she’s keeping herself busy with writing and readings, but, like the rest of us, Clare found time to watch Stranger Things things year. In this interview from Flavorwire, Clare reminds us of the literary power of Winona Ryder:

If you could write fan-fiction about any pop culture character, real or imagined, who would it be?

Hmm. Maybe Winona Ryder? When I was a kid she embodied cool, for me — and then recently, along with the rest of the world, I got totally sucked into Stranger Things. It’s interesting to think about what it must have been like for her (after her fall from grace, period of relative obscurity, etc.) to be part of that show, set back at the start of her heyday, but as the mom character this time.

Care to give us a few sentences of micro-fiction about that character?

Winona looked around the set. This, she thought, was like coming home. She brushed back her feathered hair. Home, but with differences.

Samiya Bashir has a video-poem up that’s based on her poem in Ecotone issue 19. Her book, Field Theories, will be out soon from Nightboat Books.

Issue 21 contributor Safiya Sinclair will judge for The Adroit Journal’s Prize for Poetry. The prize seeks to honor writers of secondary or undergraduate status whose work inspires action. The deadline for submissions is February 15–check it out.

Leila Chatti, whose poems appeared in Issue 21, has a new poem up on Rattle‘s website called “My Mother Makes a Religion,” a moving exploration of faith including this line: “A child, I heard the trinity wrong— / thought God was a ghost, her faith / a haunting.”

Issue 18 contributor Aimee Nezhukumatahil’s poem “Invitation” is featured on the Poetry Foundation website. “Invitation” reminds us to contemplate what lies beneath that blanket of sea with lines like, “Squid know how to be rich when you have ten empty arms.”

Ecotone and Astoria to Zion contributor Kevin Wilson’s new novel Perfect Little World came out from Ecco last week. As our friend Ann Patchett wrote of the book, “What I love about this book is that it’s full of good people and all their good intentions. That doesn’t mean everything works out, but you can’t help but think, Oh, what if it could?” And Mary Laura Philpott of Parnassus Books created this amazing book pie chart. Doesn’t EVERY book need a pie chart?!

We like ending on a note about good people and good intentions. We intend to keep to keep sharing all of the goodness we can.

design by Lookout intern Katie Prince

In an attempt to keep track of Lookout’s first four prolific authors—Edith Pearlman, Steve Almond, John Rybicki, and Ben Miller—as well as the contributors to Astoria to Zion: Twenty-Six Stories of Risk and Abandon from Ecotone’s First Decade, we’re beginning a new weekly roundup department, featuring author news. We at Lookout and Ecotone are awfully proud of our growing family, and we hope you’ll show these authors some love by clicking through. Enjoy our first roundup.

• Karen E. Bender writes “The Emotional Power of Verbs” for the New York Times.
• The Express Tribune’s Nuzhat Saadia Siddiqi praises Maggie Shipstead’s book Seating Arrangements, saying that “the book under review steers so far away from the average chick lit bestseller that you’ll be left with a grin on your face and satisfaction over time well spent.
• Steve Almond offers advice to readers on Cognoscenti’s Heavy Meddle blog.
• Aspen Public Radio featured Ben Fountain and Rick Bass in their weekly show, First Draft, which “highlights the voices of writers as they discuss their work, their craft and the literary arts.”

“He had been warned that there would be blood.

Caleb’s mother had told him in their daily lessons, ‘No one is actually hurt. Blood doesn’t necessarily mean pain.’ She showed him a drawing of a baby floating in space, connected to the placenta. ‘The baby may be bloody when it comes out, but it isn’t bleeding. We’ll wash him off , wash the sheets and towels, and you won’t even remember it.’ Since his parents had decided that Caleb, six years old, would assist with the birth, he found an unending list of questions for his mother to consider. When he asked if there had been a lot of blood when he was born, his mother shook her head. ‘You were easy,’ she said. ‘You were so easy.’ ”

—Kevin Wilson

Excerpted from “A Birth in the Woods” from Astoria to Zion: Twenty-Six Stories of Risk and Abandon from Ecotone’s First Decade. Copyright © 2014 by University of North Carolina Wilmington. Used by permission of Lookout Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

I read a lot of short fiction. I like most of it just fine. Someone’s marriage is in peril. Someone’s job is in peril. Something is said at dinner that sends all of the protagonist’s regrets and mistakes and losses bubbling up to the surface. The story ends and I’m more or less satisfied; I’ve been taken on a short trip into the lives of others by a competent and caring writer, someone acutely aware of life’s precious intricacies, someone with an eye for the things worth seeing, but that are so often overlooked.

But then I close the book or the journal and the story becomes nothing more than that generic three sentence summary I gave in the previous paragraph. The story is gone.

Kevin Wilson’s “A Birth in the Woods,” originally published in Ecotone 6.2, is no such piece of short fiction. It lingers. It demands your attention from the first line—“He had been warned that there would be blood”—and continues to demand it long after the final period.