Content Tagged ‘Hub City Press’

The Future of Publishing: Meg Reid of Hub City Press

In our newest series, The Future of Publishing, we’re excited to reintroduce alumni of UNCW’s publishing program, including former Ecotone and Lookout staffers, who have gone on to careers in the industry. To help celebrate the launch of Lookout’s redesigned website, we begin with a profile of Hub City’s Meg Reid.


Reid designed the cover to Trespass: Ecotone Essayists Beyond the Boundaries of Place, Identity, and Feminism

Lookout Books is more than a haven for books that matter; it’s a teaching press under the auspices of the Publishing Laboratory at UNCW, making it also a haven for apprentice editors and publishers. The imprint and its sister magazine, Ecotone, offer students hands-on opportunities to gain experience in editing, marketing, publicity, design, and everything in between. Meg Reid, Director of Hub City Press in Spartanburg, South Carolina, was among the first class of students to support the work of the newly founded imprint.

The Lookout publishing practicum, taught by publisher Emily Smith, “completely prepared her for working for a small press,” Reid says, “which involves balancing a lot of plates and wearing a lot of hats.” While working for the press, she drafted grants, planned author readings and book tours, and wrote design briefs for artists.

“I always liked that we were called on to talk about the books in public often. I learned how to summarize a book, while communicating its important themes and resonances—a skill I use often now, pitching reps and booksellers,” Reid notes.

As part of her graduate work in writing and publishing, Reid enrolled in the Lookout practicum class multiple semesters and helped publish three titles: Edith Pearlman’s Binocular Vision, Steve Almond’s God Bless America, and John Rybicki’s When All the World Is Old. She found it exhilarating to help build the imprint. “Edith’s book was a strike of lightning—we were brand new and suddenly in a national spotlight. I still regularly gift people Binocular Vision—to my mind, it’s the gold standard of short story collections.”

As director of Hub City Press, where she has worked since 2013, Reid now publishes between five to seven books a year in fiction, nonfiction, and poetry. She oversees the publishing program and helps realize Hub City’s mission to find and advocate for extraordinary voices from the American south.

“Though our mission is more geographically specific, we share Lookout’s commitment to finding and nurturing underrepresented voices—voices that might not otherwise be heard,” Reid says, “and like Lookout, through robust marketing and publicity efforts, enter them into the larger literary dialogue. By offering these voices a national platform, we’re able to transform and expand the national perception of the American South in literature and beyond.”

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What We’re Reading: The AWP Edition

The annual AWP conference, held this year April 8–11 in Minneapolis, featured more than 700 exhibitors, making it the nation’s largest pop-up bookstore for independent literary presses and magazines. In this edition of What We’re Reading, four savvy Lookout staffers pick the books that caught their attention this year. (Read on, and you just might detect a pattern: compelling cover + dynamic author reading + good story behind the book = sale.)

A Girl is a Half-formed Thing by Eimear McBride  

I was first intrigued by Eimear McBride’s A Girl is a Half-formed Thing because of the title. Then I saw the cover, and my curiosity increased. Then I heard the story behind the story: McBride, at twenty-seven, had written this daring, difficult, Joycean novel in just six months, and spent the next nine years searching for a publisher. Then I passed the Coffee House Press table and saw it again—the wonderful title and alluring cover now representing a glowing success of art over industry—and opened to the first sentence, which is, of course: “For you.”
Anna Coe

Hum by Jamaal May

Friends had suggested Hum to me, but like with most books, I’d not gotten around to reading it. Then, I attended a panel on poetic extremes and emotion—love and ecstasy, violence and agony, a poet’s favorite things—because Nick Flynn and Tarfia Faizullah were on it, and I’d waited a long time to hear them read. Though I didn’t know when I arrived that Jamaal May was also on this panel, two lines into his first poem, I was hooked. He was such a dynamic reader and compelling speaker that, after the panel, I immediately headed to the Alice James Books booth to buy Hum. (I was not the only person who did this.) I started reading it on the plane home, and I’ve been thinking about it all week.
Katie Prince

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The lovely Kate McMullen models our AWP bounty.

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Lit News Roundup

Looking for a book job with a view beyond the Empire State Building? Bustle rounded up some of our peer indie presses from across the country. Like us, they’re championing unique and original voices that may have been eschewed, or were not the right fit, for the big five. Glad to see two of our Southern favorites in the mix: John F. Blair Publisher in Winston-Salem, NC (our distributor), and Hub City Press in Spartanburg, SC.

Speaking of indie presses, our publisher, Emily Louise Smith, will give a presentation at the Pamlico Writers Conference this weekend on the role of independents in the current book publishing landscape. If you missed it on Facebook, check out Pamlico’s interview with Emily.

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