Launch party and broadside printing demo at AWP!

Here’s something we’ve been scheming about for a while: in honor of Ecotone poetry editor Jason Bradford, and his mother, Shirley Niedermann, we’re printing a series of broadsides of work from the magazine. Rory Sparks, who designed and printed our Craft Issue cover and those sweet bookmarks that came with the issue, is the printer for the first two broadsides in the series, which will feature Cortney Lamar Charleston’s “Doppelgangbanger” and Molly Tenenbaum’s “This Poem Contains No Natural Fibers.”

We’re having a party to celebrate these as well as Ecotone‘s latest issue and the new anthology from Lookout Books, Trespass: Ecotone Essayists Beyond the Boundaries of Place, Identity, and Feminism! Join us on Saturday, March 30, from 6:00–7:30, at the PNCA Print Studio.

Cortney and Molly will read, and Rory will host a letterpress printing demo for anyone who wants to try out printing the last run on a broadside.

Door prizes will include broadsides and copies of our publications. Light refreshments will be served.

Find us at the Print Studio, Pacific Northwest College of the Arts, 511 NW Broadway, Room 257 (second floor). It’s a six-minute drive or a 10-minute MAX ride from the Oregon Convention Center.

Come celebrate with Ecotone and Lookout staff and authors!

Fourteen lines for fourteen years

A card with instructions for writing sonnets, from A Pocket Book of Forms, on a table next to an ink pen

For Ecotone’s fall 2019 Love Issue, on our fourteenth anniversary, we’re looking for fine poems in fourteen-line forms: sonnets of all kinds, rondels prime (aka rondels supreme), and brefs double. We’ll be open to poetry submissions all day on Valentine’s Day, on which date we will consider poems in these fourteen-line forms only.

We’d like to see meter well used—which is to say, legible and smart and messed with, sometimes—and not just iambs, for we see a paucity of trochees and triple meters and accentual work around here. The full call for work for the Love Issue is here: ecotonemagazine.org/submissions/upcoming-issues/ —and our complete guidelines are here: ecotonemagazine.org/submissions/

Please send us your best of these, and help us spread the word!

Rondel prime (or supreme)

The rondel prime is a plain old rondel (though what rondel is plain old?) with an added final line. It goes like this—

ABba abAB abbaAB

—where initial-capped letters are refrain lines and lower-case letters are rhymes. Most meters work well for a rondel, we reckon.

Bref double

The bref double consists of three quatrains and a final couplet, much like a Shakespearean sonnet. There are three rhymes, noted a, b, and c. The a and b rhymes each appear twice in each of the first three stanzas—not necessarily, per Lewis Turco’s A Book of Forms, at the end of a line—and once each in the final couplet. The last line of each quatrain ends with a c rhyme. Lines should be of (roughly) equal length, but there’s no set meter for the bref double.

Sonnet

The card shown above gives the basics for Petrarchan—often abba abba cdecde—and Shakespearean—abab cdcd efef gg—sonnets. There are so many resources for sonnet-writing that we won’t say more here, except that two sonnets we’ve loved recently are this one, from Anna Maria Hong, and this one, from Cortney Lamar Charleston; we are interested in terza rima sonnets, Sicilian sonnets, etc., along with the more usual varieties; and we’d love to read sonnets in any meter. Also, we sure would like to see a crown or two.

A note

As always, we read submitted work with all upcoming issues in mind—so if you submit work with this theme issue in mind, if we love it but can’t fit it in Love, we’ll be in touch about publishing it in another of our upcoming issues.

Quatorzains forever!

Honey from the Lion: A Companion Soundscape

As the holidays approach, so does the time to curl up with beautiful and necessary books like Honey from the Lion, Matthew Neil Null’s debut novel from Lookout Books. The book, about a rebellion at a logging company in the West Virginia Alleghenies, is both lyrical and suspenseful, an elegy to the ecological devastation and human tragedy behind the Gilded Age.

Our solstice gift to you is an annotated soundscape for the book, expertly produced by folklorist, writer, media producer, and Ecotone contributor Emily Hilliard. Listen to the sounds of crows, trains, and fiddles and imagine yourself right into the world of Honey from the Lion.

0:00 Environmental sounds: Crows, great blue herons, steam trains, crosscut saw, axes.

An overture to situate us in place aurally.

1:22 “On Johnny Mitchell’s Train” by Jerry Byrne, recorded by George Gershon Korson at Buck Run, Pennsylvania, 1946. Song from the 1902 Anthracite miner strike. Via the Library of Congress.

The 1902 strike by the United Mine Workers of America in the anthracite coal fields of eastern Pennsylvania was supported by nearly 80 percent of miners in the area, and it would have been fresh in the minds of the timber companies and loggers represented in Honey from the Lion. The character Judge Randolph is said to have studied the strike, fearing the power of unions: “There’s always a copperhead in the woodpile.”

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After the Storms

Water flowing out of the Cape Fear River on Sept. 17, 2018, in the aftermath of Hurricane Florence. This photo was taken from a North Carolina National Guard helicopter, as part of a daily search for people in distress. (U.S. Army Photo by Staff Sgt. Mary Junell)

Hurricane season for the Atlantic officially ended on Friday, November 30th, but the effects of Hurricanes Florence and Michael—and Matthew in 2016—on Wilmington and nearby communities are still ongoing.

Over the weekend of September 14, Hurricane Florence dumped nearly three feet of rain on our town. Our home institution, the University of North Carolina Wilmington, was closed for a month, the longest it has ever been closed for a weather event.

We were lucky: the extent of the damage for Ecotone and Lookout’s offices was a few leaky ceiling tiles, and many lost hours of reading, editing, and production. We’re grateful to the subscribers and submitters and contributors who supported us during that time, and who have been so patient as we’ve gotten back on our feet. We’re thrilled about the release of Trespass, the new Lookout Books anthology of essays from Ecotone, this month—and thrilled, too, about publishing our newest issue, the Body Issue.

So many in North Carolina and elsewhere suffered far more serious losses—of homes and livelihoods, of access to safe drinking water and mold-free living spaces. Thirty-seven people in North Carolina lost their lives to Florence. Rivers flooded to record-setting heights, and as the waters, polluted with hog waste and coal ash, receded, they left dead fish along I-40, millions of dollars of damage in their wake, and uncertainties about the health of the river and surrounding ecosystems.

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Join Ecotone Contributors at Split This Rock Poetry Festival this weekend!

Ecotone heads to DC this weekend for the 2018 Split This Rock Poetry Festival! Check out our contributors presenting and reading! Will we see you there? Find us at the Social Change Book Fair on Saturday.

Thursday, April 19

Ghost Fishing Book Launch (Reading & Discussion)
Presenters: Melissa A. Tuckey and readers Hayes Davis, Camille T. Dungy, Everett Hoagland, Tiffany Higgins, Elizabeth Jacobson, Nancy K. Pearson, Gretchen Primack, Katy Richey, Purvi Shah, Danez Smith, Javier Zamora
1:30 – 3 p.m. | National Housing Center Auditorium

Many good things come out of Split This Rock Festival interactions and panel discussions—we’re proud to celebrate the birth of one! Ghost Fishing: An Eco-Justice Poetry Anthology was conceived as a result of a panel Split This Rock Co-Founder Melissa Tuckey hosted on June Jordan and environmental justice poetry back in 2012. Many, many months later, this groundbreaking book is at last in print! Pushing back against colonizing ideas of nature as unpeopled wilderness, Ghost Fishing presents a rich terrain of culturally diverse perspectives on issues of environmental crisis and resistance. Grounded in social justice and the belief that all beings have the right to a healthy, safe environment and home, this culturally diverse collection engages with many of the most pressing issues of our time, while also offering hope around our shared future. Come celebrate this necessary and inspiring book and help us think about how to get it out in communities. Bring a copy and get it signed by poets and the editor!

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Behind the Scenes: “What We Fed to the Manticore”

At Ecotone, we carefully consider interior layout, text treatment, and design because we want the held object to be a pleasing vehicle for the written content. The Ecotone design team works to create an individualized design for each opening page of fiction and nonfiction. They are charged with creating a visual feel, considering images and type, to accompany and amplify the impact of the piece. In this blog department, staff designers highlight past Ecotone spread designs that inspire them, and discuss design principles they incorporate in their work.

Ecotone staffer Alexis Olson considers Talia Lakshmi Kolluri’s “What We Fed to the Manticore” spread from Issue 21, designed by Morgan Davis.

The blend of hand-lettering and photography really draws me to this design. “What We Fed to the Manticore” is grounded in place, much like the spread is grounded by the mangrove roots. I love how the shape of the letterforms mimic the flow of water or silt while acknowledging the playfulness of the story’s animal first-person point of view. The mangrove roots were designed by taking the original image via Flickr and using the magnetic lasso in Photoshop to eliminate the background. This isolates the creeping roots of the tree while leaving plenty of white space for the text to live in. The image, title, attribution, and text work together to communicate a fantastical tone, perfectly complementing the story.

Seven Questions for Rachel Z. Arndt

In Seven Questions, we interview writers, editors, designers, and others in publishing. Today, we interview Rachel Z. Arndt, whose essay “Wind” is forthcoming in Ecotone 25. She received MFAs in nonfiction and poetry from the University of Iowa, where she was an Iowa Arts Fellow and nonfiction editor of the Iowa Review. Her writing appears in Popular Mechanics, Quartz, Pank, Fast Company, and elsewhere. She lives in Chicago. Her essay collection Beyond Measure, comes out this week from Sarabande.

Your book, Beyond Measure, is an exploration of the rituals, routines, metrics, and expectations through which we attempt to quantify and ascribe value to our lives. Do you practice any rituals when it comes to your writing, and if so, what can you share with us about them? 

I’m militant about the pens I write with: Uni-ball Vision Exact micro (in black). The problem is these pens were discontinued years ago, which I started to realize—and deny—the last year I lived in New York. Toward the tail end of that year, after I decided to move halfway across the country for grad school, I checked my Ziploc-bagged stash, saw I was running low, and went online. I scoured office supply stores, specialty writing utensil stores, and school supply stores. No dice. So I went to eBay and ordered maybe thirty of them. As long as they got me through school, I told myself, I’d be fine. They did.

I’m also pretty militant about my notebooks: blank 5-inch by 8.25-inch Moleskines. Lines distract me. Plus, I pride myself on being able to write in straight lines, a skill I’ve been perfecting since middle school math class. If the writing’s no good, at least it looks good.

These are, I realize, coping mechanisms for dealing with writers’ block and crankiness and off days when everything comes out clunky and abstract. They are coping mechanisms, that is, for the loss of control that’s inherently part of writing—a loss that’s strange, given nonfiction’s adherence to hard and fast facts, but a loss that makes sense when you think of writing less as translating the world to text and more as translating one’s experience of the world to text.

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You’re Invited to the Spring Ecotone Frolic!

If you’re in southeastern North Carolina, join us in Wilmington this Friday night, April 6, to celebrate the launch of Ecotone 24, the Craft Issue.

Featuring Emily Larned of ILSSA and the Making Time project, and:

—A mending station, with quilter and copyeditor Laura Poole, and the Ecotone team. Sew on a missing button! Or sew on a fancy extra button!

—Square dance featuring music from Stray Local and caller/Ecotone editor Anna Lena Phillips Bell.

—Cake, of several kinds!

Festivities begin at 7:30, dance at 8:30.

Burnt Mill Creek, 2010 Market Street, Wilmington, NC

Free and open to the public. All are welcome! Suggested donation of $5, or $10 with a copy of the Craft Issue.

For more details or questions, visit our Facebook Invitation. Hope to see you Friday!

Chumming it Up at AWP

In House Guest, we invite Ecotone contributors and Lookout authors, as well as editors from peer presses and magazines, to tell us what they’re working on or considering. Michael Brooks Cryer’s Channels, Frequencies, and Sequences appears in Ecotone 20, the Sound Issue. His book Selected Proverbs, winner of the 2016 Elixir Press Antivenom Poetry Award, was published by Elixir Press in December.

Whenever I walk through the convention-center doors on my first day at AWP—which is usually Saturday, the last day of the conference—I think of what August Kleinzahler says about the Grand Canyon: “Nothing quite prepares you for it. Terror, that’s what it’s about.”  He also says the only reasonable response to the chasm is to back away slowly.

I wasn’t sure I was going to attend AWP in Tampa this year. I don’t think I’m ever sure I’m going to attend AWP. But, alas, I end up there most years to see old friends who are spread out across the country at various colleges and who converge on some unknowing city to add another tote to their collection.

Of course, I don’t want to sound like a total crank—I’ll leave that to professionals like Kleinzahler—so it’s worth saying I like to catch up with friends at these things. And I also decided to attend this year because I had an opportunity to give a reading to promote my book of poems. Elixir Press released Selected Proverbs in December, so it seemed like AWP was as good a place as any to get the word out.

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